6thname in alphabetical order: - Haqiqy Zahwa Hawary Bandung, 1996 He spent his early learning stage of visual art in Perth, Australia; culminating thoughts and methods imposing the idea of human
Carla Bianpoen and Stevie Emilia The Jakarta Post Jakarta â Thu, December 21, 2017 2017-12-21 0958 2000 1f87594453bb792833e1ece3a2e6eecd 4 Art & Culture art-and-culture,Art-Jakarta-2017,biennale,Biennale-Jogja,Jakarta-Biennale,Europalia-Arts-Festival,Art-Stage-Jakarta-2017 Free Undeterred by continuing commercial quiet in the art world, Indonesiaâs artists and enthusiasts go the extra mile, infusing the art scene with astounding creative energy. INTERNATIONAL EXHIBITIONS A selected number of artists have been busy creating works based on colonial history for the 2017 Europalia Arts Festival, an international biannual arts and culture festival in Europe, which this year took Indonesia as its focus country. At the four-month festival, which runs until Jan. 21 next year, Indonesia aims to showcase the countryâs diversity by presenting nearly 250 programs. Read also First exhibition for Indonesian comics history held in Brussels Meanwhile, a number of artists took part in the exhibition âSunshower Contemporary Art from Southeast Asia 1980s to Now,â held at the Mori Museum and the National Art Center in Tokyo, which is now on its way to Fukuoka. While it is not immediately known how many other international events have included Indonesian artists, it seems there was a huge amount of creative energy on the move. Given the abovementioned successes, the outlook for next year is fairly optimistic. KALIJODO Artist Teguh Osentrik poses in front of his art installation made with four slabs of berlin wall in Kalijodo Park, North Jakarta, Tuesday, September 26, 2017. The installation titled JP/Seto Wardhana Veteran artist Teguh Ostenrik wowed the public by setting up four authentic sections of the Berlin wall in his thrilling art installation, titled Patung Menembus Batas Sculpture that Breaks Boundaries at the Kalijodo child friendly integrated public space in Jakarta, which the artist created in memory of the Berlin Wall, and which he related to current situations at home. Read also Teguh Ostenrikâs Berlin Wall in Jakarta Art to overcome divisive powers The artist waited for 27 years before finally making the project a reality in Jakarta. The wall was the defining symbol of the Cold War that divided East Berlin and its Western parts and Europe from 1961 to 1989. Teguh himself lived near the wall for over 10 years. âI saw the perilous impact of the wall in Berlin, the dramatic and fatal impact [the wall] had on human lives and I felt signs of similar trends had already reached my country back then.â YOUNG TALENT Youthful force A visitor poses with Ronald Apriyamâs paintings at Art Jakarta 2017 at Pacific Place in Jakarta. The arts fair, previously known as Bazaar Art, showcased a wide range of works by young artists and positioned itself as the peopleâs arts fair. JP/Carla Bianpoen The rise of young talent could easily be seen this year at Art Jakarta formerly Bazaar Art, where upcoming artists from various parts of Indonesia revealed a surprising creativity in work and thought. Great artistic talent was also revealed in the fifth edition of the Bandung Contemporary Art Awards BaCAA held for artists under 40, showing an ever advancing number of excellence in works with creative concepts including social matters, scientific knowledge and humane sensitivity. Read also Hereâs what you shouldnât miss at 2017 Art Jakarta Worth mentioning is the publication of LipLap, a book on 35 Bandung artists under 35, which was conceptualized by young artists in cooperation with artist-led Gerilya Gallery and Omnispace, and supported by Melbourne-based collector Konfir Kaboâs Project 11, which is described as âa giving initiative which seeks to support artists and projects that make an imprint on their field.â There was also the âBandung Re-Emergenceâ exhibition at the Selasar Sunaryo gallery, which challenged artists of the previous âBandung New-Emergenceâ to review their works with todayâs interpretation. ART STAGE JAKARTA The surge of creative energy in Indonesiaâs art world, especially in the second half of the year, was marked by, among other things, the launch of the ALEQS, an art award founded by Art Stage Jakarta, which was in its second iteration this year. JP/Carla Bianpoen The surge of creative energy in Indonesiaâs art world, especially in the second half of the year, was marked by, among other things, the launch of the ALEQS, an art award founded by Art Stage Jakarta, which was in its second iteration this year. Encompassing the entire art ecosystem, this first-ever award was handed to the best in 13 separate categories displaying Authenticity, Leadership, Excellence, Quality and Seriousness in art. The awards included Best Collector, Best Curator, Best Artist, Best Gallery, Best Gallerist, Best Young Curator, Best Young Gallery and Best Senior Collectors. The Best Collector award was won by businessman Haryanto Adikoesoemo, whose collection encompasses local and international artworks and who is also the owner of the newly opened Museum of Modern and Contemporary Art in Nusantara Museum MACAN. Other winners were long-durational performance artist Melati Suryodarmo, who is also this yearâs director of the Jakarta Biennale; Enin Supriyanto, who won the Best Curator award; ROH Projects, which received both the Best Gallery and Best Young Gallery awards; and the Indonesian Visual Art Archive IVAA, which collected the award for Best Art Institution. Life Achievement Awards were also given to senior curator Jim Supangkat, senior artist Sunaryo and senior collector Ciputra. The Bhinneka Award recognized the work of the Jatiwangi Art Factory arts community in West Java, which focuses on researching the lives of people in the area through art. MUSEUM MACAN Melt triptych, 2008 by Entang Wiharso Museum MACAN collection/File Another excitement in Indonesiaâs art scene this year came when the long-awaited Museum MACAN in West Jakarta opened its doors to the public on Nov. 3. Prior to the vernissage, the museum organized contemporary art performances by renowned artists from Indonesia and abroad, acknowledging performance art as a contemporary art form. At its inaugural exhibition, titled âArt Turns. World Turns,â the museum, which is the countryâs first museum dedicated to modern and contemporary art, displays 90 out of the ownerâs some 900 art works, both Indonesian and international pieces, which have been amassed over a 25-year period. The museumâs director Aaron Seeto praised Haryanto as a unique collector because his collection is of great strength, quality and artistic resource. âAnd when other [collectors] have been singularly focused on Indonesia, his collection has, from its inception, been both locally and internationally focused,â said Seeto. The exhibition, which is up and running until March 18 next year, correlates either issue-wise or time-wise, denoting a conceptual vision that fits the spirit of our time. BIENNALES Tribute to ancestors Balinese artist Ni Tanjungâs artwork depicting gods, ancestors and mythological animals sits on display at the Jakarta Biennale. JP/Carla Bianpoen Equally exciting was that Indonesia hosted three biennales â the Jogja Biennale, the Makassar Biennale in South Sulawesi and the Jakarta Biennale â from November to December this year. The Jakarta Biennale showcased its groundbreaking inventions and excelled in presenting a new understanding of contemporary art in Indonesia. For the first time, the biennale appointed a woman, Melati Suryodarmo, as its artistic director. The theme Jiwa Soul for the biennale can be understood the all-encompassing energy and creative spirit flowing from the past or the memory of it, to the present time and on toward new visions. Jiwa opened with a traditional ceremony performed by bissu â the androgynous shaman community from South Sulawesi, included works of Balinese outsider art, and revived works from senior artists of the past and present, such as Semsar Siagian, Hendrawan Ryanto, Siti Adiati and Marintan Sirait. The biennale also included famous international artists and presented 27 performances the most ever in a biennale as well as new and existing video works by strong female filmmakers from Argentina, Indonesia, the Philippines and Mexico. The Jogja Biennale continued its Equator series, now in its fourth edition, this time cooperating with Brazil, with the main theme âStage of Hopelessness,â presenting the works of 12 Brazilian artists and 25 Indonesian artists. The Makassar Biennale marked its second edition this year, taking âMaritime Cultureâ as its artistic concept, with participating artists including a Taiwanese artist, who explored similarities between certain features of Makassar, historically renowned for its strategic location during the spice trade period, and his homeland. + view more
Marisabecame the conductor of Orkestra Simfoni Universitas Indonesia Mahawaditra in 2015-2017 and later composer in residence of the orchestra in 2017-2020 while was also named composer in residence for Bandung Philharmonic since 2018 until today. She has received commissions and her music has been premiered internationally by notorious
Bandung Contemporary Art Awards, atau disingkat âBaCAAâ, diadakan untuk kelima kalinya di Lawangwangi Creative Space, Jl. Dago Giri Mekarwangi wilayah Lembang di Bandung. Sebulan lamanya, dari tanggal 5 Oktober hingga 5 November 2017, mempersembahkan karya dari 15 finalis dimana tiga diantaranya dinobatkan karya terbaik. Acara award ini diadakan selama sebulan lamanya, dari tanggal 5 Oktober hingga 5 November 2017. BaCAA adalah ajang kompetisi yang digagaskan oleh Dr. Andonowati, selaku direktur ArtSociates di bawah Yayasan AB, untuk merangsang perkembangan seni rupa kontemporer di Indonesia dan berupaya meningkatkan partisipasi para peraih penghargaan seni dalam kancah Internasional. Dalam proses pemilihan, BaCAA mengundang seluruh seniman di Indonesia dibawah umur 40 tahun untuk berpartisipasi. Respon yang didapat pun positif, dari semenjak pertengahan Februari 2017, ada 400 peserta yang ikut submisi. Kemudian dari 400 peserta hanya 15 finalis yang lolos melalui beberapa tahap penjurian. Dewan Juri BaCAA 5 terdiri dari kurator seni Agung Hujatnikajennong, jurnalis seni Carla Bianpoen, kolektor seni Wiyu Wahono serta dua orang juri internasional, yaitu galeris asal LA, Susan Baik dan galeris asal Kuala Lumpur, Valentine Willie. Ratu Rizkitasari Saraswati. âWithin Walking Distanceâ Restu Taufik Akbar. âINMaterial Truth Happiness Lies In Prespectiveâ Ricky Janitra. âWorld Wide Web Wasteâ Kelvin Atmadibrata. âDeepthroatâ Tara Astari Kasenda.âSolarisâ Geugeut Pangestu Sukandawinata. âDi Dalam Kelambu Tertutupâ Sarita Ibnoe.âMengiras Membenahiâ Rendy Raka Pramudya.âBentuk Waktu Dalam Penciptaanâ Andrita Yuniza Orbandi. âMenuju Kebenaran Nisbiâ Muhammad Sabil Hibatulwafi. âSesuatu Di Antara Kerumunan Masyarakatâ Yovista Ahtajida. âUstartz Konsultasi Seputar SyariâArtâ Abshar Platisza. âDeram Presensi Subtilâ Kelima belas peserta tersebut adalah Abshar Platisza, Andrita Yuniza Orbandi, Cynthia Delaney Suwito, Deni Ramdani, Etza Meisyara, Geugeut Pangestu Sukandawinata, Kelvin Atmadibrata, Mohamad Sabil Hibatulwafi, Ratu Rizkitasari Saraswati, Rendy Raka Pramudya, Restu Taufik Akbar, Ricky Janitra, Sarita Ibnoe, Tara Astari Kasenda, dan Yovista Ahtajida. Dan untuk Gelar 3 karya terbaik BaCAA5 diraih oleh Deni Ramdani, Cynthia Delaney Suwito dan Etza Meisyara. Selain itu, ada Special Mention Award yang diraih oleh Ricky Janitra. Para Menenang Bandung Art Contemporary Awards 5 Deni Ramdani meraih penghargaan berupa uang tunai sebesar Rp. lewat karyanya âO°â. Secara simbolis, karyanya menceritakan kerusakan lingkungan yang terjadi di sebagian bentang alam Bandung utara. Deni Ramdani. âO°â Deni menggantung kantung plastik besar berisi air dan ikan hias di atas gundukan tanah yang dibentuk menyerupai kontur tanah Bandung. Ia melubangi kantung plastik tersebut dengan jarum sehingga air sedikit demi sedikit menetes dan membasahi tanah di bawahnya. Perbandingan yang kontras antara kepelikan isu lingkungan dengan kesederhanaan tampilanâO°â menjadikan karya ini layak untuk menjadi salah satu pemenang. Peraih penghargaan art trip ke pusat seni dunia, Cynthia Delaney Suwito, juga menghadirkan isu ekologi dalam lingkup yang lebih global lewat cara yang sederhana. Berangkat dari sebuah spekulasi bahwa dengan menahan napas maka kita dapat menyumbangkan oksigen bagi orang lain, Cynthia ingin mengajak pemirsa untuk memikirkan kembali betapa berharganya oksigen bagi kehidupan kita. Cynthia Delaney Suwito. âHolding Breathâ Dengan pendekatan relasional, Cynthia mengajak pemirsa untuk menahan napas selama mungkin menggunakan website. Ia kemudian mencatat waktu tersebut, membaginya dengan angka perkiraan jumlah manusia di bumi, dan mendapatkan angka hasil akhirnya dalam satuan nanodetik. Catatan tersebut ia jejerkan sebagai bagian dari karya âHolding Breathâ. Etza Meisyara dengan karyanya âHow Does It Feel? To Be A Refugeeâ berhasil memenangkan kesempatan residensi di Centre Intermondes, La Rochelle, Perancis. Secara liris, Etza menuliskan sebuah komposisi musikal sebagai catatan akan percakapan-percakapannya dengan para pengungsi di Munich, Jerman. Pertemuan ini, baginya hanyalah sebagian kecil dari refleksi persoalan yang lebih besar mengenai mobilitas manusia di masa sekarang. Etza Meisyara. âHow Does It Feel? To Be A Refugeeâ Komposisi ini juga hadir dalam bentuk alat-alat makan yang dibentuk sebagai not balok pada lembaran besi, layaknya partitur raksasa dan mengeluarkan suara musik melalui speaker yang ditanam didalamnya. Bagi Etza, alat makan adalah simbol kehangatan dan kekeluargaan yang ia temukan dalam hubungan antar manusia. Semenjak diadakannya BaCAA pertama di tahun 2011, terdapat peningkatan keberagaman dalam eksplorasi metode, tematik maupun medium yang dipilih oleh para seniman. Perkembangan ini menunjukkan sebuah tren yang baik, di mana seniman muda Indonesia semakin membuka cakrawala mereka akan proses kreasi di luar cara-cara yang konvensional, memungkinkan para seniman untuk terus berinovasi dalam menampilkan karyanya. Selain itu, semakin banyaknya isu-isu aktual seperti sosial, politik, dan lingkungan yang diangkat oleh para seniman mempertegas seni sebagai ruang dialog yang dinamis.
TheUniversity of Southern Queensland acknowledges the traditional custodians of the lands and waterways where the University is located. Further, we acknowledge the cultural diversity of Aboriginal and Torres Strait Islander peoples and pay respect to Elders past, present and future.
An unknown man offered me a lewd yet god-fearing proposition in December 2018, eerily coincidental to the period when I was just beginning to construct the conceptual foundation of Good Boy, an unfinished, objects-based performance installation planned to be presented in the physical show of RCA 2020. The project expands my homoerotic vocabulary to unexplored terrains of pup play, BDSM and chemsex as I was also expanding and experimenting with my methods of performance-making to incorporate texts, minimalism and abstraction. Good Boyâs production, unfortunately, had to be put on hold due to the current pandemic and I have yet to find a suitable method of presentation that fits into the screen-based, online exposition that gives justice to the physically focused piece. Iâll be a Good Boy is hence, a tangent project of the aforementioned. I revisit a material that has only been referential, the messages themselves. They have been dissected and rearranged into a soliloquy that may resemble a prayer with two distinct segments, made clear by the language shift from Indonesian to English. The work will be sent directly to the audienceâs mobile device through WhatsApp, the exact application where I received them. Accompanying the 49-lines, sometimes one-phrase messages would be a digital photograph, taken from my mobile phone that has never left their intended platform for any editing. Hence the work will and should never leave the digital platform but to remain within the mobile device which could function as its pedestal. Iâll be a Good Boy is an invitation to dominate as well as a request to submit. Borrowing the situation of sexting, which could be abusive and non-consensual, it is also a reflection of online sexual trolling that may be borderline harassment that blurs and questions the extent of private, anonymous space of homoerotic sub-culture. A demonstration of a possible reading to perform the text will be held daily at BST from 14-31 July through my Instagram live kelvinatmadibrata. The work comes in an edition of 100+1AP, specifically made for the presentation platform of RCA 2020. The work is free of charge and accompanied by a digital certificate of authenticity but its availability is on a first-come-first-served basis. To request an edition, please text âIâll be a Good Boyâ to +44 7999 905 913 through WhatsApp and the work will be sent as a reply to that text. Note to audience+ Due to the high volume of messages you will receive 49 text messages and 1 digital photograph, it is recommended to mute notifications from +44 7999 905 913. + There is no specific time when the work will be sent neither can you request for a specific time to receive the texts. + If you do not receive any replies from +44 7999 905 913 after twenty-four hours means that all available editions have been redeemed. + Your mobile numbers will not be saved neither will it be used for any purposes other than to deliver the artwork. + The number +44 7999 905 913 will only operate from 14-31 July 2020 and will cease operation shortly after the end of RCA 2020. I'll be a Good BoyMedium WhatsApp messages and photograph taken with iPhone8 cameraSize 49 bi-lingual text messages and image, edition of 100+1AP
Iaadalah salah satu pendiri Guernica: A Magazine of Art and Politics, yang membuatnya mendapatkan penghargaan PEN/Nora Magid Award (2017). Ia juga mengajar di Fordham University, Cooper Union, John Jay College, dan Writer's Foundry MFA program di St. Joseph's College. Tulisan-tulisannya dimuat dalam sejumlah media, seperti The New York
On27 July 2017, Indonesia's first art fair, 'Bazaar Art', Rifky co- founded Platform 3 as a venue for new and upcoming artists and has been a jury member of the prestigious Bandung Contemporary Art Award. He co-founded the Jakarta Contemporary Ceramics Biennale, and co-established inkubatorasia, a Jakarta-based space dedicated to
Establishedin April 2006, LABO. have participated and won multiple local and international design competitions and awards, including the 1st Prize for their design of the New Museum of Bandung Asia-Africa Conference (2014), their entry for the 2018 design competition to revitalise the National Monument Square (Monas) in Jakarta, and the
Welcomemessage. A very warm welcome to attend the 13 th International conference on Green Chemistry & Engineering which is going to be happen on December 05-06,2022 in Barcelona, Spain.We are cordially invite, all researchers, scientists, professors and all who are interested in sharing their views about sustainable environment or Green chemistry 2022 and Recyclable, environmentally benign
ViewZulkarnaini Rustam's Profile on Saatchi Art. Find art for sale at great prices from artists including Paintings, Photography, Sculpture, and Prints by Top Emerging Artists like Zulkarnaini Rustam.
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bandung contemporary art award 2017
